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Thrill-Seeking: Meaning and the Excitement-Seeking Trait

The Defaults Research TeamEdited by Ruslan ShaymardanovPublished 6 min read

A thrill seeker has an appetite for intense stimulation and finds ordinary conditions flat. In the Big Five this is Excitement-Seeking, the fifth facet of Extraversion, and its four items ask how much you love excitement, seek adventure, enjoy being reckless and act wild.

Thrill-seeking means wanting intense stimulation and going looking for it: speed, noise, risk, pressure, the version of an evening with something at stake. In the Big Five that appetite has a name. It is Excitement-Seeking, the fifth facet of Extraversion.

Two things get folded into the word and should not be. Psychology has an older, separate construct called sensation seeking, developed by Marvin Zuckerman in the 1960s on its own scales; it overlaps Excitement-Seeking heavily without being the same instrument. And in everyday speech, thrill-seeking gets swapped for adventurous, which in the Big Five is a facet of a different trait — though, as you will see, the two scales share a word, and that is a caveat most pages skip.

What Excitement-Seeking measures in the Big Five

Excitement-Seeking is the fifth facet of Extraversion, the trait covering social energy, drive, and pull toward reward. On the IPIP-NEO-120 it is four items, and they are worth reading in full: loving excitement, seeking adventure, enjoying being reckless, and acting wild and crazy. That is the whole scale. It does not ask how fast your heart beats or how brave you are. It asks what you say you like.

So what it captures is an appetite rather than a reflex: how much intensity a situation needs before it feels worth doing. High scorers report wanting a lot, and ordinary conditions read as flat to them. Low scorers report the reverse — ordinary is already plenty, and anything past it is noise. Neither group is braver than the other.

Extraversion as a whole is consistently tied to stronger responses to reward cues 1. That is a finding about the domain, not a ranking of its facets, and the four items above still ask what you enjoy rather than how your nervous system answers a reward.

What high Excitement-Seeking looks like

The behaviour is more use than the adjectives.

The deadline is the point. The work gets interesting in the last day and was dull for the three weeks before it.

You take the launch, not the maintenance. Standing something up is exciting. Keeping it running is somebody else's job, ideally soon.

A quiet week leaves you restless rather than rested. Two calm weekends and you start manufacturing something.

The bet is better than the winnings. Stakes make a thing worth doing; a sure outcome drains it.

You have at least one story that starts "we probably should not have." More than one, and you tell them well.

What low Excitement-Seeking looks like

The low pole has no clean everyday name. People reach for "cautious", which is a different measurement: Cautiousness is a Conscientiousness facet about thinking before acting, and someone can be impulsive and still have no appetite for intensity. What low Excitement-Seeking actually is: the ordinary version of a thing is already enough. Again, the behaviour is more use than the adjectives.

Nobody has to sell you on a quiet Saturday. Two calm weekends in a row are two good weekends, not a problem that needs solving.

You would rather the flight were boring. Same for the surgery, the deploy, the drive home. Uneventful is the outcome you wanted.

The stakes are the part you would remove. A bet does not make a thing more interesting to you. It makes it more expensive.

You are the one asking what happens if this goes wrong. Not out of fear. The exciting option has no pull on you, so its costs are easy to see.

Your stories are shorter. There is no "we probably should not have" in the collection, and you have never missed it.

This end pays wherever the exciting choice is the wrong one. Work that rewards a steady hand over a long horizon belongs to it: monitoring, anaesthesia, air traffic, editing, index investing, keeping a small child alive for a decade. So does the unglamorous eighty percent of any job — though not because low scorers are more persistent. Whether you are still there in month nine is a Conscientiousness question, and Self-Discipline and Achievement-Striving are the facets that answer it. A person low on both quits in month two, and stimulation has nothing to do with it. What low Excitement-Seeking removes is one specific pull toward the door: the search for a more vivid situation somewhere else.

The cost is real too. From outside it can read as flatness, and it quietly rules out things worth having, because the pull that would make them appealing never arrives.

Where the appetite helps and where it costs

It helps where the work is short, loud and needs a volunteer. Launches, emergencies, live performance, pitches, the first ninety days of anything. High scorers put their hand up for the version of the job everyone else is quietly hoping to avoid, and they are not being noble about it. That version is the one they actually wanted.

It costs in the middle. Every project has a long stretch where the outcome is no longer in doubt and the work is still not finished, and that is where the appetite stops being an asset. The pull that got you to volunteer is now pointing at the next thing.

It costs again wherever the vivid option and the correct option come apart, which is what the reckless item on the scale is there to catch. Liking the intense version of a choice is not the same as choosing well, and the two line up only by luck. That argues for guardrails on the decisions where a bad call is expensive — money, cars, contracts — rather than for any verdict on the person. It is not a diagnosis of anything either; where personality and addiction actually meet is a separate question, covered in the Big Five and addiction.

None of it is fixed. Traits keep moving through adulthood rather than setting hard at twenty-five 2.

Where sensation seeking fits

Sensation seeking is the older construct. Zuckerman built it in the 1960s on its own scales, years before the Big Five settled into its current shape, and it was never designed as a facet of anything. Its classic form has four subscales: thrill and adventure seeking, experience seeking, boredom susceptibility, and disinhibition.

Those four do not land in one place. Thrill and adventure seeking and disinhibition sit closest to Excitement-Seeking. Experience seeking looks far more like Openness. Boredom susceptibility straddles both and picks up something from low Conscientiousness besides. A sensation seeking score and an Excitement-Seeking score are therefore measuring overlapping but different things, and that overlap is exactly why the two names get used as if they were interchangeable. Cousins, not twins.

Thrill-seeking versus adventurousness

This is the distinction the word "adventurous" keeps eating, and it needs an honest caveat before the table: one of the four Excitement-Seeking items is literally "Seek adventure". At the level of vocabulary the two facets do overlap, and any page telling you the words mean entirely separate things is not describing the actual scale you will answer.

The distinction survives that, because it lives in the company each item keeps. On E5, "adventure" sits beside excitement, recklessness and acting wild, so the cluster is intensity and risk. On O4, the items are about preferring variety to routine and not being attached to conventional ways, so the cluster is novelty of experience. Same word, two different neighbourhoods, and they go with different things.

Excitement-Seeking (E5)Adventurousness (O4)
Trait it belongs toExtraversionOpenness to Experience
What it wantsIntensityNovelty
The question it asksIs this vivid enough?Have I done this before?
What its items askLoving excitement, seeking adventure, enjoying recklessness, acting wildVariety over routine, comfort with change, no attachment to conventional ways
High end looks likeFast, loud, risky, high-stakesNew food, new route, new field, new city
What kills itSafe, settled, low-stakesRepetition, however exciting

All four combinations exist. The skydiver who orders the same lunch every day is high on intensity and low on novelty. The person who has moved countries three times and drives at the speed limit is the reverse. Adventurousness has its own page for that reason.

If your life currently reads as boring, the useful question is which of the two is missing, because the fixes point in opposite directions. More intensity is a bigger stake in the same room; more novelty is a different room. Confusing the two is how people do something reckless when what they wanted was something new; more on that in why you get bored so easily.

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References

Footnotes

  1. Smillie, L. D. (2013). Extraversion and reward sensitivity. Current Directions in Psychological Science, 22(3), 167–172. https://doi.org/10.1177/0963721412470133

  2. Roberts, B. W., Walton, K. E., & Viechtbauer, W. (2006). Patterns of mean-level change in personality traits across the life course: a meta-analysis of longitudinal studies. Psychological Bulletin, 132(1), 1–25. https://doi.org/10.1037/0033-2909.132.1.1

Common questions

What does thrill-seeking mean?

Thrill-seeking means wanting intense stimulation and going looking for it: speed, risk, noise, pressure, stakes. In personality psychology it is Excitement-Seeking, the fifth facet of Extraversion, measured by how strongly you say you love excitement, seek adventure, enjoy being reckless and act wild.

Is being a thrill seeker good or bad?

Neither, and it depends entirely on where you point it. The appetite pays wherever the work is short, high-stakes and needs someone to volunteer: launches, emergencies, live performance, starting things. It costs you in the long unglamorous middle of any project, where nothing is vivid and the work still has to get done.

Is sensation seeking the same as adventurousness?

No. Zuckerman's sensation seeking is an older construct with its own scales, and it bundles thrill seeking together with experience seeking, boredom susceptibility and disinhibition. In the Big Five those pieces split across two facets: Excitement-Seeking under Extraversion wants intensity, and Adventurousness under Openness wants novelty. A sensation seeking score straddles both.